This research paper seeks to analyze disability and Bollywood song and dance sequences within the last decade. Song and dance sequences are fixed structures which value and presume a particular body type over others, thus simultaneously creating binaries of ability/disability and normal/abnormal. Where are 'disabled' bodies then located? How is difference projected in these sequences? My research paper will address these questions in the following films: Khamoshi - The Musical, Koi Mil Gaya, Koyla, Black, Taare Zameen Par, My Name is Khan and Barfi!.Bachelor of Art
Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of trad...
Majority of the Bollywood song-dance sequences are inspired/influenced/hybridised with Western popul...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...
Disability studies have emerged as an important field of critical studies. It has branched itself ou...
Film dances, or filmed dance sequences accompanying film songs, are an important part of popular Ind...
This film analyses the role of the Indian folk dance forms in Indian cinema, in particular, Hindi/Bo...
This dissertation undertakes a historical and theoretical analysis of constructions of gender and se...
Cinema for social change is not a new approach. Odia cinema, earlier known as Oriya cinema, has been...
The most fundamental relationship in a universe divided into numerous categories and subgroups is an...
University of DelhiThe basic framework of this paper is to deliberate upon the emergence of item son...
This project branches out from the presentation at a selective small colloquium at Sonoma State Univ...
Indian love of dance is deeply cultural. Dance is embedded in India's folk music traditions and...
This thesis examines the representation of the lives and performances of tawa'if and rudali in South...
Jenny Morris argues that cultural representations of disability mostly center on the feelings of the...
Background: Folk dance and music forms are quite widespread across India, each region, language and ...
Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of trad...
Majority of the Bollywood song-dance sequences are inspired/influenced/hybridised with Western popul...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...
Disability studies have emerged as an important field of critical studies. It has branched itself ou...
Film dances, or filmed dance sequences accompanying film songs, are an important part of popular Ind...
This film analyses the role of the Indian folk dance forms in Indian cinema, in particular, Hindi/Bo...
This dissertation undertakes a historical and theoretical analysis of constructions of gender and se...
Cinema for social change is not a new approach. Odia cinema, earlier known as Oriya cinema, has been...
The most fundamental relationship in a universe divided into numerous categories and subgroups is an...
University of DelhiThe basic framework of this paper is to deliberate upon the emergence of item son...
This project branches out from the presentation at a selective small colloquium at Sonoma State Univ...
Indian love of dance is deeply cultural. Dance is embedded in India's folk music traditions and...
This thesis examines the representation of the lives and performances of tawa'if and rudali in South...
Jenny Morris argues that cultural representations of disability mostly center on the feelings of the...
Background: Folk dance and music forms are quite widespread across India, each region, language and ...
Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of trad...
Majority of the Bollywood song-dance sequences are inspired/influenced/hybridised with Western popul...
The aim of the paper is to look at the ways, in which the body has been conceptualized, trained and ...